The Shrinking Lonesome Sestina -- Miller Williams.

The Shrinking Lonesome Sestina. By Miller Williams. Somewhere in everyone’s head something points toward home, a dashboard’s floating compass, turning all the time to keep from turning. It doesn’t matter how we come to be wherever we are, someplace where nothing goes the way it went once, where nothing holds fast to where it belongs, or what you’ve risen or fallen to. What the bubble.

The Shrinking Lonesome Sestina. by Miller Williams. Somewhere in everyone's head something points toward home, a dashboard's floating compass, turning all the time. to keep from turning. It doesn't matter how we come. to be wherever we are, someplace where nothing goes. the way it went once, where nothing holds fast.

Miller Williams (bonus handout) The Shrinking Lonesome Sestina. Yusef Komunyakaa. Facing It. Linda Hogan. Crow Law. AI. Why Can't I Leave You? Julia Alvarez. Bilingual Sestina. Joy Harjo. She Had Some Horses. Ray Gonzalez. Praise the Tortilla, Praise Menudo, Praise Chorizo. Li-Young Lee. Eating Alone. Li-Young Lee. The Gift. Bob Hicok. In the loop. Denise Duhamel. One Afternoon when Barbie.

The Shrinking Lonesome Sestina Somewhere in everyone's head something points toward home, a dashboard's floating compass, turning all the time to keep from turning. It doesn't matter how we come to be wherever we are, someplace where nothing goes the way it went once, where nothing holds fast to where it belongs, or what you've risen or fallen to.

Contains information on and examples of the villanelle, the sestina, the pantoum, the sonnet, the ballad, blank verse, the heroic couplet, and the stanza, the elegy, the pastoral, the ode, and open forms, as well as a chapter on meter.

You've given them this limited scope of material so they better get cracking away at it. The uncommitted person is like every Jack Moxon who never quite finishes their poems or essays; the committed is like Miller Williams writing the Lonesome Shrinking Sestina - making masterful use of his constraints.

The most important feature of Miller Williams and the Poetry of the Particular, a collection of essays and one interview, edited by Michael Burns, is the range of the contributions. The fifteen pieces give an accurate sense of the depth and variety of Williams' work. Some of the articles are brief, but almost all bring considerable insight to.

The Dissertation Committee for Kerry Hollis Ballast Certifies that this is the approved version of the following dissertation: The Writing Practices and Writer Identities of Adult Learners Participating in a Community-Based Adult Education Program. Committee: Melissa Wetzel, Supervisor Anna E. Maloch Mary Jo Worthy Marilla Svinicki Elizabeth Stephens Clarena Larrotta. The Writing Practices.

The reason I knew and loved Miller’s work really centered around one particular poem of his, “The Shrinking Lonesome Sestina”. The reason for it is that, each December and January of my teaching career, I taught a mini-unit on poetry. Some of the all-time classics, some poems by friends of mine, some stuff I suspected most of the.

More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world.

Sestina's are like Rubik's cubes -- the hardest poem in the world to write and this one is just plain brilliant. The structure of the poem amazed me (each stanza really shrinks as the poem progresses). It's beautiful, fascinatingly intricate, made me laugh for a moment and then broke my heart. What more can you ask?

By Lisa Hase-Jackson Because Sandra Beasley’s newest collection of poetry, Count the Waves, arrived within the slim period of tim.